Sea change


How many pages? How many lines? Scholarly articles [or books of many stripes] sometimes seem to exemplify wordiness, the driest, longest, dullest possible words used in the history of mankind. But there is poetry even in scholarly articles [books], even there.

Step one: look to the right or the left of the columns by the edge of the page on either side.

Step two: confine your eyes to the words forming the borders of the columns, the words right beside the white. Read the words as they descend, the supposedly disconnected unrelated words, until a poem forms itself, the words picking themself up individually out of the dry muck of the subject matter and reconfiguring themselves in an interesting pattern.

Example: Examining a horrendously dull article by Thomas Farrell entitled "Practicing the Arts of Rhetoric," [yes, rhetoric is in the title, and I'm not deliberately using that word, it's just the most boring article at hand]--sure enough, it takes only thirty seconds to find a poem about nature hiding on page 90.

With
nature
alive
and
volatile

itself
recognizable
practical
traditional,

is
emancipation.

Gee, Thomas Farrell is perhaps a closet environmentalist. And his crusty dead-white words have undergone "...a sea change, into something rich and strange."

The end of the day

It can get to the point where your very cells feel burned around the edges, where the bright green growing points in the middle of them is fading, and they seem to sputter and flicker on-off-on-off like dying lightbulbs. Do you have the time, these days, to read a book you want to read? Does anyone have that kind of time?

It can get to the point where you close your eyelids, while riding in the back seat, or on the bus, or sitting in the back of the class, or at your desk, and with a flash you suddenly see bright oasis-blue-green-yellow, and you know your brain has whisked you away on vacation because your feet just won't. All of a sudden everything is brilliant, sunny, and you have a tan, and no worries, and a white-coated person is offering you a fuschia drink on a silver tray. Need I add the inevitable: poof!--gone? You already know you've opened those lids and you're gazing on white, grey, brown, and you've never been to Hawaii.

It can, indeed, get to the point where you fill your dayplanner with assignments and meetings and drinks with friends and tick them all off one by one as if they are of equal importance--or annoyance--and you've got them out of the way, what a relief, so that tomorrow's can be tackled in the same way without guilt.

It can also get to the point where your insides stop, suddenly, just stop, and you sit down with a bump because you can't move any faster or any longer; and your body gives you nothing but bullheaded point-blank refusal when you tell it to go.

Listen to me, my friend: NO, you are not lazy. No, you don't need to apologize. No. You are tired. You deserve to be, and oh, yes, you should be in Hawaii; but as it is you'll have to settle for the spot you're in. It can get to all of those points in varying degrees.

But sometimes things get out of hand. So just stop. The planner doesn't rule you and neither doesTime. You might be surprised to hear that Time is a benevolent ancient with a wide white smile and a slow short hand and he's waiting to give you a break if you'll let him. It's the end of the day and you've run out of excuses, haven't you? Do yourself a favour.

Stop.

The news

In the News Today, to the north of Baghdad, a suicide car

bomber

(desperate) ,

targeting the house of a local army chief killed

and extinguished but couldn’t

annihilate

five (fingers, toes, on each hand, foot)

people, including a soldier, and (didn’t stop there but)

wounded
and crushed but couldn’t destroy

10 (fingers, toes, on both hands, feet)


and
also ,

four (seasons, spring summer fall and winter)

people died and are obliterated but not (never)

forgotten

when a

bomb (out of nowhere )


tore through a minibus in Karrada district, a mostly Shi'ite area where

Christians
who are perplexed but (not) in despair

also live ,

live, oh they

live indeed,

and they are quite alive.


Ambassador

The cold--how can I describe it? It is beyond yesterday's cold; it's moved into a new stage of cold that is degrees below yesterday's cold, even this morning's cold. Breath, smoke, exhaust drift up slow-motion-style into the slate sky like hot air balloons into blank smog. Condensation on scarves freezes into tiny frigid diamonds. Feet without double sock-layers quickly succumb to numbness.

I meet her at a bus-stop by the busy road [my feet already losing feeling]. She is one long red parka, it seems to me: quilted cherry parka from head to toe with two black boots sticking out the bottom, a fur fringe haloing her black hair. She flashes a brilliant smile at me--so brilliant that it takes me by surprise. Who would smile on such a day?

And then she smiles again, and motions "cold" signs by hugging herself tightly, shaking her head, chattering her teeth exaggeratedly. Her face, creased just a little at the corners, is otherwise plain but lit by bright black almond eyes.

I quickly realize that she is not from here; but she wants to talk.

I begin to ask her questions. "How long have you been here? Where are you from?" But she does not understand. I speak more slowly. She does not understand. I flip a switch in my brain and quickly attempt to remember the best charades, sign language, universal symbols. And she smiles, smiles, as I flounder.

She is from China, I am given to understand. Her breath shoots out and flames the air with pale puffs of smoke as she attempts to explain. [Will the bus ever come?] "Go--donton..." she tells me.

"How long have you been in the country?" I ask her, slowly.

She looks puzzled, but her face clears. "Lun Engush... donton," she tells me.

"I go downtown too. Is it easy, learning English?" No good. I try again. "Difficult? --Hard?" No cigar. I motion wildly, but my actions yield nothing. I never was good at charades.

"Paula," she blurts. I am at a loss; and then my mind makes the leap. Oh--she is learning English downtown from a lady named Paula. She smiles again as I understand. A smile is worth a thousand words.

Suddenly she touches her quilted red chest, giving me her name; it sounds like Sunsang...

"Sunsang?" I say, and she smiles at me, gloriously.

It is cold. The bus is not coming. It must come: come, bus! If not for my sake, for Sunsang's, because she comes from a land where it never gets this chill, never. She is so cold that her chosen colours are twice as bright--she is fighting back against the elements. The rest of us may be clad in black, grey, blue, colours that drift and merge with bleak winter landscape. But she is dressed in matchstick red.

The bus comes. At last! But these ten frozen minutes have certainly not been wasted. I find myself suddenly befriended by an ambassador of China: and our two countries are at a total understanding. How many things can be learned from a wordless exchange? Perhaps many.

If only it weren't so cold.

Belief

Swarms of ideas like flocks of bees chased me, pursued me, as I flew down the street to catch the bus.

Relief, there, on board the gliding oasis, the bumping, smelling, screeching, shifting, roaring beast that is always quiet, somehow, quiet as the moment you duck your head under the surface of the lake. Nothing under there but murky indigo-chocolate-emerald depths, slow motion, silence. On the bus, there is nothing but the gentle security of frosted windows, total anonymity, peace.

Sometimes the bus ride home is desperately necessary, so that my mind can find itself again, pull itself under the surface and be anonymous, at rest, closed inside a Bigger-Than-I. On the bus there is no need to pretend to know. Nobody knows anything on the bus.

He said to me, "I'd rather be blind than deaf; if I were deaf I couldn't hear music."

"But what about reading? What about Shakespeare?"

"Music is solace. And Shakespeare is meant to be read aloud."

When I spend time with some fellow students I become aware of my Lack-Ofs. I know just enough to know when ideas are worth listening to and I must be still. Answerless, I am, to those penetrating questions; and silent, though never silenced: silent.

I must stay silent or I will be found out. I am a pretender, an imposter. My face says, "Tell me; I understand." But I only perceive; understanding is harder. Every year I spend at the University makes the difference between what I know and what I do not know more pronounced. I am a shallow basin at best, a sieve at worst. How much do I know? Nothing, and less every year.

So I learn how to listen. And I know these others have learned the same trick. Nobody knows as much as they seem to know; we all have clever masks.

"I'd rather be deaf than blind," I said. "Reading--how could you go without reading? Books on tape?--What is that?"

"Music, though. Someone could read to me; and music would comfort me."

The University is bleak, oblique. Here there is constant noise; ideas flow so quickly past your eyes and ears and understanding [flying fish] that if you are lucky you can grasp a few in bloody palms as they flap by, but most disappear into the distance before your very eyes. Wait! One more time!--Wait! Come back!

Class after class of these flashing, flying fish, and I am stretched until I cannot bear it any longer, day after day [then long, anonymous bus rides home]. Is there nothing that cannot be challenged? --But this is a good thing, I remind myself. It is good. How will you know what you believe if you do not find out exactly why?

In between classes there are diamond-bright conversations over gritty dark coffee, and papers flutter like leaves swept up in Autumn wind. Impressions morph and change; opinions are chameleons leaping from orange tree to apple tree to fir. Sometimes, after these hurricanes, we are disoriented; and we are not sure where, exactly, we are any longer.

"I'd rather be blind than deaf," he said.

"If only it weren't for music, I'd rather be deaf."

If you are blind, masks do not matter.

[God save us from noise, from argument never resolved, from unceasing challenging of belief, from the angry sorrow of those that do not believe, from fierceness of intellect. God save us from deafness and blindness. We learn from music and from reading].

On the bus there is solace after storms of language that try to sweep you off your feet with their magnificence, their logic, their artful lack of logic. Everyone is trying to indoctrinate you, somehow, except on the bus. Nobody knows anything on the bus.

"We all wear masks," he said.

"I know. None of us are really who we show ourselves to be."

"Exactly! So how can we believe in each other?"

In the University we are struggling to make sense of floods of information and fires of opinion that overwhelm us as a matter of course. We have never been more alive; we have never been in more danger. On the bus ride home we sink below the waves and let our aching heads rest from the assault.

When we arrive, we flick on the lights and look at ourselves in mirrors and try to find out what we've learned--if we are the same as we were yesterday--if we recognize the faces staring back at us. Masks, why do we wear masks at all? None of us know anything, really. How can we believe in each other--how can we believe in anything--if we cloak it, mask it, drive it away with swarms of ideas, argument, like flocks of bees, or flying fish?

"I believe in you," I said.

[But he didn't believe me].

If we never pause

It is a pale evening, burned at the edges by severe cold outside, and dulled on the inside by work and more work. We both need a visit and an excuse to get out of the house, an excuse to forget about being responsible. Which way to the nearest vender of quality Irish coffee? One left turn and one right and a mile of road, and we find ourselves inside a warm café, surrounded by murmering people, and coffee and aromas and jazz...

Appearances can be deceiving. Who knew that the local librarian whips off her spectacle-chain and becomes a devastatingly bluesy singer after eight? Her voice is measured and warm, lit in the middle by a real understanding of both lyrics and melody, and it thrums over and through the muted ensemble behind her.

Librarian hair, librarian clothing (black turtleneck, gold pin and red blazer), and librarian eyes, smiling over her glasses, or shut lightly with feeling as she sings. But her voice is coloured purple, a deep purple-jazz.

There's nothing like Irish coffee on a very cold night, when it is a hot, light chocolate colour, and when white whip crowns the top. It warms the stomach better than hot chocolate or even hot coffee, as the alcohol swirls in with the caffeine and takes a nose-dive into puddles of melted whipped cream deep inside.

Aaaaahhh.

Easy, it is, to feel guilty for moments of relaxation "stolen" throughout the day, as if we were made to work only, and never pause. But oh--surround me with books for a week, or put me in a jazz café for an evening, or let me breathe just a bit. If we never pause we'll simply forget why we bother so much to keep on living, day in, day out.

The librarian knows this; she stamps renewal cards and book covers daily, but her secret evening life hints round the edges of her smile. She knows how to work and then live. She rests inside those bluesy refrains.

This evening we do too.